These brief notes focus mainly on possible steps towards the discussion about the decolonisation, or decolonisations, of botanical collections and practices at the University of Coimbra. They are not intended to delimit a unidirectional and hierarchical path of activities to be developed and are not a closed script for a decolonial rereading of the collections, which are a constant challenge, always presenting us with open questions and incomplete answers. My views and writings on this subject stem from a position of privilege as an academic working at the UC, which allows me the time, easier access to the collections under analysis and the freedom to appose narratives onto natural and cultural objects long disconnected from their contexts of origin; I am aware of my limitations in identifying additional perspectives and knowledges, which other voices will be able to bring to the open and ongoing debate.
The challenge remains: how to create a forward-thinking and progressive community, in which mothers are also represented and included? The work mothers and caregiver musicians cannot be perpetually undervalued or rendered invisible. Continuing to ignore the struggles mothers/caregivers face is unjust, unsustainable and will perpetually leave out many in our field.
These brief notes focus mainly on possible steps towards the discussion about the decolonisation, or decolonisations, of botanical collections and practices at the University of Coimbra. They are not intended to delimit a unidirectional and hierarchical path of activities to be developed and are not a closed script for a decolonial rereading of the collections, which are a constant challenge, always presenting us with open questions and incomplete answers. My views and writings on this subject stem from a position of privilege as an academic working at the UC, which allows me the time, easier access to the collections under analysis and the freedom to appose narratives onto natural and cultural objects long disconnected from their contexts of origin; I am aware of my limitations in identifying additional perspectives and knowledges, which other voices will be able to bring to the open and ongoing debate. 
The challenge remains: how to create a forward-thinking and progressive community, in which mothers are also represented and included? The work mothers and caregiver musicians cannot be perpetually undervalued or rendered invisible. Continuing to ignore the struggles mothers/caregivers face is unjust, unsustainable and will perpetually leave out many in our field. 
