Egypt's security vacuum

While a relative calm can be seen in many parts of Cairo, the anger and fear among ordinary Egyptians is still there.
Jacky Rowland reports on the mood on the streets.

31.01.2011 | por martalanca

Myths and Fairy Tales in African Art

Africa in Motion 2011 Symposium / 29 October 2011

The Africa in Motion (AiM) Film Festival 2011 will focus on films and events that open doors to children and youth in Africa. Throughout the festival and at this one-day symposium we will look at artistic representations for, by and about children and young people in Africa. As a vital aspect of children’s lives is their education both within and outside of the family structure, we will look at how (his)stories and myths are told, changed and exchanged through time, and how they influence the form, style and structure of film in the relatively young cinema from Africa.

The forthcoming symposium, to take place 29th October 2011, invites renewed interpretations of stories, myths and tales as a means of reflecting on and inheriting Africa’s past, present and future. Storytelling is an essential aspect of African cinema and literature as the role of the African griot has deeply influenced writers, poets and filmmakers such as Ousmane Sembène and Férid Boughedir.

The symposium seeks to interrogate the dramatic, poetic and visual character of culturally foundational stories (fairy / mythic / classical / religious etc), the formal operations and cultural forces of their diverse tellings and showings across media, and the ways in which their psychological, social, political and aesthetic functions have been interpreted and employed.

Papers could include themes such as: the identity of the African griot, the performativity of stories and myths, the intervention of tales and myths in the narrative structure, adaptation from story to screen, fairy tales for children, fairy tales for adults, anti-tales, and transculturing of inherited myths. Contributors are welcome to submit with these proposed themes in mind, or in any other field that speaks to the theme of the symposium.

Continuar a ler "Myths and Fairy Tales in African Art"

31.01.2011 | por martalanca

Senior Africa Analyst - Oxford Analytica, Editorial

AnOxford Analytica is seeking a Senior Africa Analyst to cover the business and politics of the region.

Oxford Analytica has established an international reputation for delivering global macro analysis to investors, businesses, international organisations and governments around the world, alerting them to risks and opportunities on a daily basis. Our flagship Daily Brief is the product of a highly qualified team of in-house analysts who draw upon an external global network of hundreds of leading scholars and experts to deliver timely, authoritative and impartial analysis.

We currently are seeking a Senior Africa Analyst to expand our analytical and advisory practices covering the business and politics of the region. Proven expertise in contemporary Africa is required, ideally gained by academic study as well as work or residency in one or more countries of the region. Preference will be given to candidates with strong commercial as well as academic credentials. Proficiency in French/familiarity with francophone Africa will also be an advantage.

The primary role will be to generate and deliver to global clients in the public and private sectors top-flight analysis of the region, in keeping with the international reputation of the firm. Applicants must therefore possess excellent writing and editing skills, combined with a proven capacity to engage clients directly and authoritatively, as well as media skills. The successful candidate will join a team of some 12 full-time analysts based in Oxford, and report to the head of the Analytical Practice.

We are looking for someone with a confident, outgoing personality combined with a strong capacity for teamwork and willingness to learn. Oxford Analytica’s output is the product of a unique combination of in-house and external expertise; an ability to draw upon such skills is therefore essential in order to deliver to clients the highest quality analysis and advice.

The position is Oxford-based, but some travel is envisaged, both within and beyond the United Kingdom. A competitive salary is on offer.

 

read more

31.01.2011 | por martalanca

Africa Here; Africa There Conference- The Canadian Association of African Studies (deadline: 21 February 2011)

York University, Toronto, Canada

5-7 May, 2011

Plenary speakers:

 

 Achille MBEMBE, Wiser Institute for Social and Economic Research, University of the Witwatersrand, Exiting from the Long Night? Cultural Forms and Institutions in Africa- Sortir de la grande nuit? Formes culturelles et institutions  en Afrique ;

 

 Imed MELLITI, Institut Supérieur des Sciences Humaines, University of Tunis el-Manar: Jeunesses maghrébines : religiosité, enjeux identitaires et enjeux de reconnaissance- Maghrebine  Youth: Religiosity, Identity and Recognition ;

 

Donald SIMPSON, Innovation Expedition, Africa - Here and There in the Sixties: A Canadian Perspective. Afrique Ici et ailleurs dans les années 1960: Une perspective canadienne.

 

Official Conference Opening / Ouverture officielle de la conférence

Dr. Mamdouh SHOUKRI, President and Vice-Chancellor of York University/ Recteur et Vice-chancelier de l’Université York.

 

 The Canadian Association of African Studies (CAAS) extends a special invitation to scholars and professionals working on all aspects of African Studies for its next annual conference. The conference, to be held on May 5-7, 2011, at York University - Université York, Toronto, Canada, will be hosted by the Harriet Tubman Institute for Research on the Global Migrations of African Peoples, York University, with the support of various internal and external sponsors. Our aim is to attract an international group of specialists at all stages in their careers to facilitate discussion and  dialogue, in both of Canada’s official languages, across disciplines and between scholars and professionals based in both the North and South.

 

 In recognition of 2011 having been proclaimed by the United Nations General Assembly as the International Year for People of African Descent, the central theme of the 2011 annual conference of the Canadian Association of African Studies (CAAS) is Africa Here; Africa There. Africans have long peopled the African continent, as well as other landscapes through external migrations. During the modern era, the movement of African peoples has taken place under three major contexts: various trades in human beings, economic hardship emanating from natural and non-natural factors, and political, ethnic, religious and other types of persecution.

 Whether internal or external, the displacement of African peoples has always led to greater complexities within the host societies. Africans and people of African descent, free, freed or enslaved, made up a sizeable proportion of the population of Évora and Lisbon during the late 1400s and early 1500s and performed much of the most menial manual work while speaking various West and West-Central African languages and supplying characters and speech patterns to the works of contemporaneous playwrights  like Gil Vicente. The same was true of London, not to mention other places in the United Kingdom, from at least the time of Shakespeare to the early 19th century. By the mid-1800s, their presence and influence was even more pervasive in Brazil, as well as Cuba. Similarly if Africans and the descendants of Africans attempted to recreate their homelands, imagined or not, amongst host societies, as was the case of the marooned  Zanj in Iraq (869-883 A.D.), the great Bantu state of Palmares in XVIIth century Brazil, or  later the Igbo in Maryland and Virginia, Jamaica, and Barbados, the process today is no less omnipresent as exemplified by the existence of Little Angola in Rio de Janeiro, Little Nigeria in Houston, or the current attempt  to establish a Little Ethiopia in Toronto.

In other words, Africa has long existed within the old continent and beyond as well. This reality, far from signifying solely an African presence, points to a series of new ways of moving across and exploiting space stemming from an evolving division of world labor, distribution of resources, and production of modes of living together. Africa Here; Africa There will explore, in English and in French, the multifaceted complexities generated by these phenomena within and outside of Africa over time from the perspective of various disciplines.

 

The Canadian Association of African Studies (CAAS) contributes expertise, research, and informed debate concerning a wide range of African “matter” related to sociocultural issues, the arts, political economy, the environment and transnationalism, among others. Since 1970,CAAS has demonstrated how African issues matter to a wider range of Canadian and international publics in academic, policy-making, programming, and many other circles. The expanding recognition of African contexts and initiatives to a growing range of transnational practices (from humanitarianism to peace building; markets to social movements; climate change to food security; religious dynamism to health and education policies; sports to music, theatre and cinema; truth and reconciliation processes, migration and diasporas to the forging of the world) has meant the continent is taking on a greater prominence in the attention, imagination, and actions of more and more publics. We also encourage the submission, whether in English or in French, of research papers in these and other areas.

 

In the last forty years, like many other Northern nations, Canada has had expanding and diverse relations with Africa.

African immigration to Canada has increased not only through the regular immigration of professionals and others, but also, importantly, through refugees fleeing from conflicts in areas such as Uganda (1972), Somalia (since 1991), and Algeria (since 1992). In turn, a growing number of Canadians have been to Africa through an expansion of humanitarian and international development activities by Canadian governmental and non-governmental organizations, business activities, particularly in natural resources sectors, university exchanges, and tourism. Solidarity work by Canadian individuals and groups also increased during this period, from working with national liberation groups to supporting human rights agendas, from advocating for women rights to addressing health and environmental conditions.

Canadian governments have been preoccupied with African matters through international bodies such the Commonwealth, la Francophonie, the United Nations, and G-8 summits playing a visible part during the anti-apartheid struggle, peacekeeping and peace building activities, and supporting NEPAD (New Partnership for Africa’s Development), to name but a few.

The growing number of Canadians of African birth and descent have not only played important roles in such exchanges and ties but also helped to introduce or expand new consumption patterns and artistic practices in Canada(in food, clothes, music, film, literature, and the like) and new forms of religiosity and congregations. At the same time, there have been some tensions emerging in Canada-African relations such as: the tightening of visas on African visitors coming to Canada in the name of security and to limit refugee claims; a reduction in the number of Canadian peacekeepers in Africa; a recent reduction in number of African priority countries for CIDA; protests over labor practices and engagement against corrupt practices; and, limited African beneficiaries of Canadian direct foreign investment in Africa.

 

The above issues help to highlight key concerns and demonstrate why there is growing interest in Africa in Canada. However, there is a vast array  of topics of interest in African Studies beyond these issues, as well, that would be welcomed to be presented at this conference. From examining wide-reaching events such as the slave-trades, the HIV/AIDS pandemic, and current conflicts to the minutia of everyday life such as schooling practices, religious invocations, and media consumption, Africa Here; Africa There will provide an opportunity for the sharing of research and debate concerning the study of these issues in both English and French.

 

CAAS, including its Canadian Journal of African Studies, have historically embodied extensive coverage of the continent and, in that spirit of attending to all African

matters, this conference welcomes papers on a wide range of topics concerning Africa and African peoples abroad from a variety of disciplinary and interdisciplinary approaches. In keeping with the bilingual nature of CAAS and the encouragement of bilingual study at York University, paper and panel proposals in French are particularly welcomed.

 

Africa Here; Africa There aims to continue the CAAS tradition that exemplifies why Africa matters to various publics in Canada and beyond. This Call for Papers intends to provide a forum for addressing and presenting academic  research and policy proposals that examine the histories, debates, policy issues, and current practices related to African matters.

 

The deadline for submitting paper, as well as panel, proposals has been extended to February 21, 2011. For information on submitting paper and panel abstracts, conference registration payment (on-line or by cheque), requests for funding for graduate students in Canada, and

accommodation possibilities please go to http://www.arts.ualberta.ca/~caas/en/2011conference.html

 

 

31.01.2011 | por ritadamasio | Africa, african studies, Canada, Conference

Tunisie: l'héroisme ordinaire des femmes

Portfólio sonoro publicado no Le Monde.fr

31.01.2011 | por franciscabagulho

Kimi Djabaté, 18 Fev no Musicbox, LISBOA

Há uma parte da população mundial que carrega os séculos às costas, como se de sacola com farnel se tratasse. No ponto de convergência que é Lisboa, são tantos que mais parece que a cidade está em constante viagem – e é bom lembrar que o tempo é também um espaço navegável e experimentado. Se olharmos com atenção e cuidado, é entre eles que encontramos os verdadeiros desafios intelectuais e artísticos, que abundam em densidade e perspectiva. Assim é com Kimi Djabaté, tocador de balafón nascido e criado em Tabato, território da Guiné-Bissau onde os griots, músicos originários do Mali, se firmaram há séculos. Karam, o segundo álbum do multi-instrumentista que a respeitada Cumbancha editou, tem essa matriz genética telúrica – a infância, os alicerces, a genuinidade – e uma reflexão social e política do que é África nos dias que correm. É cantado em mandinga, mas a música que debita é universal. E imprescindível.
De volta aos concertos em Lisboa, Kimi sobe pela primeira vez ao palco do Musicbox a 18 de Fevereiro.

31.01.2011 | por franciscabagulho | balafón, Kimi Djabaté, música da Guiné-Bissau, Musicbox

good vibes!

31.01.2011 | por martalanca

Antologia Poética - Nudos, de Eduardo White, em LISBOA

Eduardo White, poeta e escritor moçambicano, e Mónica Castelo convidam-vos a estarem presentes no lançamento em Lisboa da Antologia Poética - Nudos, a ter lugar no mítico «O Botequim»,  pelas 19h do dia 02.02.2011 (3ª-feira), sítuado no Largo da Graça.

 

O reencontro do Poeta «à mesa dos poetas», com a poesia servida num prato de sopa, com a pimenta preta, azeite e brôa, ou não tivera sido assim que Natália Correia um dia falava:

- «Oh sub-alimentados do sonho, a poesia é para se comer!»

Sejam Bem-Vindos e não faltem!

31.01.2011 | por martalanca

Propaganda by Monuments, Contemporary Image Collective, Cairo

Até há dois dias atrás ninguém sabia se a exposição iria mesmo acontecer, como já todos sabemos a situação neste momento está muito instável. Há muito para mudar na nossa África, mas infelizmente às vezes isso implica perder vidas humanas. É de louvar o grande esforço de todos que participaram neste projecto, e que o tornaram possível no meio de tanto caos e violência.

Para mais informações consultem o website do centro de arte CIC

(Contemporary Image Collective).
Kiuanji Kia Henda

Hasan & Husain Essop
Angela Ferreira
Dan Halter
Runa Islam (offsite)
Iman Issa
Ahmed Kamel
Kiluanji Kia Henda

This exhibition seeks to reassess nostalgia as a globalised process; less as a helplessly melancholic reconstruction of an idealised moment, and more of a recasting and importation of desired ideologies and material residue. Invoking change and reconstruction, many of the works presented here use a variety of reflective, dynamic tools as they play with the monumental, the propagandist, and the physical parameters of living the postcolonial.

 

30.01.2011 | por martalanca

Archeology of the Future: African Cinema and Imaginary

International Conference at the University of Bayreuth (November 2011)
Archeology of the Future: African Cinema and Imaginary
Call for papers: until 12.02.2011

Since its beginnings cinema has been connected with history and this in a double respect: in a retrospective perspective appropriating the past by remembering or in a prospective perspective which anticipates the future. Thus the creation of movies in Africa is situated between archeology, history and remembrance on the one hand and future and utopia on the other hand.

Patrice Ngnanang talks about - even if it is in the context of African literatures - the rise of a “République de l’imagination” (republic of imagination), which is to be a chamber in which the echo of the present rushes like a dream factory which produces a future for Africa. From this perspective we wish to understand cinema as a “dream factory” which does not only create representations a posteriori, but a factory of transmission and transfiguration. Therefore, one aim is to focus on the prospective dimension of African movie worlds, their ability to react to the important questions of its times as well as to anticipate them. This is based on the idea of a time continuum which emerges at the cinematographic frontiers between past, present and future in two kinds, the actual and the virtual. African cinema opens up a space of remembrance and at the same time of utopia. It opens up in diverse forms which often are hybrid and which lead from remembrance to dream as Gilles Deleuze so nicely put it in Cinéma 2, Image-temps.

Possible axis of research:

To which extent do African movies renew the emancipatory worlds of imagination which Simon Gikandi mentions? How do movies (cinemas) take on the past? Does dealing with the past open up a vision for the future? Is there a continuity discernible in the political and creative imagination? Are new worlds of imagination formed? How does the subversive power of cinema manifest itself?

African movies and referentiality (fictional, documentary, hybrid forms; African cinema and remembrance/memory; revolutionary cinema, engaged cinema; African cinema and preview: cinematic utopias, SF

Please hand in abstracts until 12.02.2011:
Ute Fendler: ute.fendler@uni-bayreuth.de and Viviane Azarian: Viviane.azarian@uni-bayreuth.de

28.01.2011 | por martalanca | African Cinema

Africa Here; Africa There - Canadian Association of African Studies

2nd CALL FOR PAPERS)
York University Toronto, Canada 5-7 May, 2011

Plenary speakers

Achille MBEMBE, Wiser Institute for Social and Economic Research,
University of the Witwatersrand, Exiting from the Long Night?
Cultural Forms and Institutions in Africa- Sortir de la grande nuit?
Formes culturelles et institutions en Afrique

Imed MELLITI, Institut Supérieur des Sciences Humaines, University of
Tunis el-Manar: Jeunesses maghrébines : religiosité, enjeux
identitaires et enjeux de reconnaissance- Maghrebi Youth: Religiosity,
Identity and Recognition

Donald SIMPSON, Innovation Expedition, Africa - Here and There in the
Sixties: A Canadian Perspective. Afrique Ici et ailleurs dans les
années 1960: Une perspective canadienne

Official Conference Opening 
Dr. Mamdouh SHOUKRI, President and Vice-Chancellor of York University/
Recteur et Vice-chancelier de l´Université York

The Canadian Association of African Studies (CAAS) extends a special invitation to scholars and professionals working on all aspects of African Studies for its next annual conference. The conference, to be held on May 5-7, 2011, at York University - Université York, Toronto, Canada, will be hosted by the Harriet Tubman Institute for Research on the Global Migrations of African Peoples, York University, with the
support of various internal and external sponsors. Our aim is to attract an international group of specialists at all stages in their careers to facilitate discussion and dialogue, in both of Canada´s official languages, across disciplines and between scholars and professionals based in both the North and South.

In recognition of 2011 having been proclaimed by the United Nations General Assembly as the International Year for People of African Descent, the central theme of the 2011 annual conference of the Canadian Association of African Studies (CAAS) is Africa Here; Africa There. Africans have long peopled the African continent, as well as other landscapes through external migrations. During the modern era, the movement of African peoples has taken place under three major contexts: various trades in human beings, economic hardship emanating from natural and non-natural factors, and political, ethnic, religious and other types of persecution. Whether internal or external, the displacement of African peoples has always led to greater complexities within the host societies. Africans and people of African descent,
free, freed or enslaved, made up a sizeable proportion of the population of Évora and Lisbon during the late 1400s and early 1500s and performed much of the most menial manual work while speaking various West and West-Central African languages and supplying characters and speech patterns to the works of contemporaneous
playwrights like Gil Vicente. The same was true of London, not to mention other places in the United Kingdom, from at least the time of Shakespeare to the early 19th century. By the mid-1800s, their presence and influence was even more pervasive in Brazil, as well as Cuba. Similarly if Africans and the descendents of Africans attempted to recreate their homelands, imagined or not, amongst host societies, as was the case of the marooned Zanj in Iraq (869-883 A.D.), the great
Bantu state of Palmares in XVIIth century Brazil, or later the Igbo in Maryland and Virginia, Jamaica, and Barbados, the process today is no less omnipresent as exemplified by the existence of Little Angola in Rio de Janeiro, Little Nigeria in Houston, or the current attempt to establish a Little Ethiopia in Toronto. In other words, Africa has long existed within the old continent and beyond as well. This
reality, far from signifying solely an African presence, points to a series of new ways of moving across and exploiting space stemming from an evolving division of world labour, distribution of resources, and production of modes of living together. Africa Here; Africa There will explore, in English and in French, the multifaceted complexities generated by these phenomena within and outside of Africa over time
from the perspective of various disciplines.

Continuar a ler "Africa Here; Africa There - Canadian Association of African Studies"

28.01.2011 | por martalanca | People of African Descent

Arménio Vieira: as 70 vidas do Poeta

O poeta cabo-verdiano Arménio Vieira completa este sábado, dia 29, 70 anos, com várias entrevistas para a imprensa a contrariar-lhe a rotina entre a sua casa do Platô (“o meu Castelo”) e a esplanada do Café Sofia, sua segunda residência.

“Hoje já joguei xadrêz”, diz Arménio, ao sair de casa, depois do almoço. “Mas eu agora dou aulas aos mais novos”, continua, “não tenho pedalada para esses gajos que ganham tudo”. Dos aniversários não faz caso, adianta, “às vezes chego mesmo a esquecer-me, não sei porque não se lembraram o ano passado quando fiz 69…”, graceja, com o seu inevitável sentido de humor.

No seu trigésimo aniversário escreveu o Poema da Esplanada, com caviar e champanhe: “Arriscando-me a uma gaffe gastronómica, pensei, mas depois verifiquei que os dois até que combinavam na perfeição.”


Os Bichos de Mito e de Arménio Vieira

Para além de algumas surpresas preparadas por amigos da cidade da Praia, em Lisboa prepara-se um espectáculo em homenagem ao poeta Prémio Camões, pela mão do artista plástico Mito, e alguns nomes da cultura das ilhas, residentes em Portugal. Zé Cunha, poeta e amigo de longa data e Zé Brasão, percussionista, fazem parte do projecto, juntamente com o contrabaixista Elmano Caleiro, que apresentam Tempo de Bichos - Projecto Magina, na livraria Bucholz, na Rua Duque de Palmela, às 18h30.

Arménio Vieira, que passou recentemente dois meses na cidade de Sines, no litoral alentejano, tira do nada de que “a rima perfeita é divina e bovina”, para depois explicar: “Deus que é nada do nada fez tudo, incluindo a rima; e já que o boi é o rei da paciência, esta também é indispensável à boa rima…”

Continuar a ler "Arménio Vieira: as 70 vidas do Poeta"

28.01.2011 | por martalanca | Arménio Vieira, literatura caboverdiana

Call for Articles – norient academic online journal

 

 

28.01.2011 | por nadinesiegert

4th TALENT CAMPUS DURBAN calls for filmmaker applications

The 4th edition of Talent Campus Durban will take place from 22-26 July 2011, during the 32nd Durban International Film Festival (21-31 July). Talent Campus Durban is an intensive 5-day programme delivered by film professionals to enhance both theoretical and practical approaches to filmmaking. Themed Africa in Motion , the 4th Talent Campus Durban presents a unique platform for African filmmakers to propel their careers through participation in a comprehensive series of seminars, workshops and industry networking activities. This year includes the addition of a Doc Station, where selected documentary projects submitted by accepted talents will be finessed and packaged for presentation within the Durban FilmMart.
40 filmmakers from 20 countries in Africa were selected for the successful 2010 edition, imbuing the Campus with a rich intercultural nature, and sparking exchanges and cooperation that will continue to feed the development of filmmaking across borders of this continent. Talent Campus Durban now invites filmmakers from Africa to apply to participate in the 2011 programme, which takes place in Durban , South Africa , over five days. In addition to specific activities offered by the Campus, the selected talents will have the opportunity to attend films and events at the 32 nd Durban International Film Festival.

Full rules and on-line application form hosted on the Berlinale Talent Campus - 4th Talent Campus Durban

Deadline for application:  15 March 2011

For further details:
Phone: +27 (0)31 260 2506/1704

Fax: +27 (0)31 260 3074
Email: talent@ukzn.ac.za or talent.durban@gmail.com

Talent Campus Durban is a cooperation between the Durban International Film Festival and the Berlinale Talent Campus of the Berlin International Film Festival and is supported by the German Embassy in South Africa, the Goethe-Institut South Africa and the KwaZulu-Natal Department of Economic Development and Tourism.

 The Durban International Film Festival is organised by the Centre for Creative Arts (UKZN) with  funding and support from the National Lottery Distribution Trust Fund (principal funder), National Film & Video Foundation, HIVOS, City of Durban and other valued funders and partners.


28.01.2011 | por nadinesiegert

Angola 61 Guerra Colonial: Causas e Consequências

Angola 61, de Dalila e Álvaro Mateus 

28.01.2011 | por martalanca

Mapamundi, exposição no Museu Berardo, LISBOA

A cartografia na arte. Como é que os artistas utilizam a linguagem dos mapas no seu trabalho. Num percurso através de obras de cerca de cinquenta artistas contemporâneos, a exposição MAPAMUNDI formula a hipótese de que a cartografia é um desafio fundamental da criação artística actual e pode também ser a chave para compreender as próprias mudanças artísticas.

Comissariada por Guillaume Monsaingeon, esta exposição mostra o trabalho de Guillermo Kuitca, Michelangelo Pistoletto, Joseph Kosuth, Rivane Neuenschwander, Alighiero e Boetti, Nelson Leirner ou do português Miguel Palma, mostrando como os criadores utilizam a imensa história cartográfica.

De 31 Janeiro a 25 de Abril no Museu Colecção Berardo, em Lisboa.

28.01.2011 | por franciscabagulho

13th ENCOUNTERS SOUTH AFRICAN INTERNATIONAL DOCUMENTARY FESTIVAL 2011

9-26 June 2011 Cape Town, Johannesburg
The organisers of ENCOUNTERS, the annual South African International Documentary Festival, are calling for entries from South African and International filmmakers for the 13th edition of the festival.
ENCOUNTERS will show a selection of documentary films from around the world, with a particular focus on South African work.
Filmmakers must guarantee, should their films be selected, that permission from the rights holder are secured for a minimum of six screenings at this Festival.
Encounters wishes to announce that it is charging a nominal fee for entry to the Festival. The fee is 15USD, and African filmmakers are exempted from paying this fee.

Encounters is the only South African distributor dedicated to distributing documentaries to the South African public. Encounters promotes and sell films to television, through DVDs and in cinemas.
Awards: Best South African and International Audience Award
Deadline for submissions: 20th March 2011
For additional information feel free to contact Nazeer Ahmed 
+info

28.01.2011 | por franciscabagulho

"Do Campo à Cidade" exposição de Arcanjo Madeira, MAPUTO

dia 27 de Janeiro, pelas 18h no Espaço Xilembe, Baixa de Maputo.

Exposição de pintura “Do Campo à Cidade” do artista moçambicano Arcanjo Madeira.

 

 

 

 

 

 

28.01.2011 | por franciscabagulho

JUST JAECKIN - Lisboa

JUST JAECKIN { djset } 28 JAN { 6.feira } @ MAJONG Bar { 22h > 3h } R da Atalaia 3 / Bairro Alto / Lisboa

28.01.2011 | por martalanca

Fridged

Exposição de fotografia -Fridged, no Museu Nacional de História Natural (Sala do Veado), em Lisboa, de 2 a 27 de Fevereiro de 2011.

A inauguração é no dia 2 às 21h30m e inclui um concerto de Jazz pelo Trio de Gonçalo Marques.

 

 Museu Nacional de História Natural - Sala do Veado

Rua da Escola Politécnica, 56-58, Lisboa

 

Terça a sexta-feira, das 10h às 17h

Fim-de-semana, das 11h às 18h

Encerra segunda-feira e feriados

28.01.2011 | por martalanca